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Bernardo Bertolucci
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The Jeremy Thomas Collection
LATEST NEWS
‘The Dead Don’t Hurt’: Toronto Review
Meet the Man Behind Bertolucci and Cronenberg in Mark Cousins’ ‘The Storms of Jeremy Thomas’ — Watch the Trailer
'Ryuichi Sakamoto: Opus’ Review: The ‘Last Emperor’ Composer Gives a Glorious Final Performance
Daniel Brühl, Riccardo Scamarcio, Volker Bruch to Star in Stefano Mordini Motorsport Feature ‘2 Win’
The Storms of Jeremy Thomas, a road trip through the history of film - Festival de Cannes
The Storms of Jeremy Thomas review – Mark Cousins rides shotgun with uber-producer - The Guardian
Cannes: Jeremy Thomas On ‘Crash’ Controversy & 50 Years At The Fest – Deadline
CANNES 2021 Mark Cousins • Réalisateur de The Storms of Jeremy Thomas - Cineurope
‘The Storms Of Jeremy Thomas’: First Footage From Cannes Classics Documentary By Mark Cousins -Deadline
How 'Pinocchio' Turned a Real Boy Into a Puppet Who Longs to Be a Real Boy - Variety
UK producer Jeremy Thomas talks Oscar return, his new starring role and friendship with Johnny Depp - Screen International
'Pinocchio' hair and makeup make animals, humans, puppets - Los Angeles Times
Interview: The ‘Pinocchio’ Hair & Makeup Team Bring Him To Life
How ‘Pinocchio’ Team Turned the Actor Into a Puppet Without VFX – Variety
How the Makeup Team Behind “Pinocchio” Created Magic Without Visual Effects
Matteo Garrone on Telling a New 'Pinocchio' Story and Collaborating with Roberto Benigni
Too Close For Comfort: Theresa Russell in Bad Timing
Cronenberg Says Coppola Didn’t Want Him to Win a Cannes Jury Prize for ‘Crash’ in 1996
Q-and-A: David Cronenberg reflects on 'Crash' and the future of COVID filmmaking
Ballard in the Rear View
American Cinematographer - Crash: Auto Erotic
Another Decade with Takashi Miike: Extreme Violence, Extreme Passion
‘Pinocchio’ Review: Roberto Benigni In Matteo Garrone’s Bizarrely Wonderful & Very Italian Version Of The Immortal Tale
Good Morning America 'Pinocchio' review: A fresh and more grown-up take on the animated classic
Crash review – Cronenberg’s auto eroticism still has impact
First Love Review
First Love review – brilliantly bizarre, ultra-violent yakuza caper
'Pinocchio': Film Review
Takashi Miike On His Hollywood “Longing”, New Movie ‘First Love’ & Why Japan’s Film Industry Is “Dying” – Macao
Jeremy Thomas on Matteo Garrone’s ‘Pinocchio,’ Takashi Miike TV Series
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